After reading John Blakemore's book "Black and White Photography Workshop" in the Uni library, and seeing a diagram for taking still life compositions, I thought I would give it a go and experiment with this set up. There was a range of subjects, a composed basket of sewing items, series of organised buttons and finally three leaves from three different Acer trees. As with the two previous tests the camera was a Sinar F1 with two bellows to extend the focal length to capture enlarged detail. This camera was weighted down on a tripod due to all the weight being front loaded over looking the composition. The lens was a 210mm Schneider Symmar-S, Film Ilford HP5 Plus 400. As these shoots were part of a series of experiments, it was a case of the film being used, as what I had in, than going for a specific creative look.
As with the previous shoot a lightmeter reading was taken and and two shots of each subject were taken with slightly different apertures to vary the depth of field.
Side view as John Blakemore's diagram
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEo0I1VE9yao2qGisaJH_BCqZM6xlNtFZF6B57D7hJDfWY1q4GSBNcV0rseAsp91qckC4hPYOpPr7u9E2WvGrNGQILdIUrfovWYo7ROxv51hbIweeaaeaYmeOOcOxLHovVAEDCyHnIc0PH/s320/Prof+Pract-4.jpg)
View looking down from the camera at subject:
The final images:
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